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Air (Cello and Guitar)

Bach, Johann Sebastian

This classic air by Bach is a popular selection for both weddings and concerts.

$3.95  

Air (Flute and Guitar)

Bach, Johann Sebastian

This classic air by Bach is a popular selection for both weddings and concerts.

$3.95  

Air (Violin and Guitar)

Bach, Johann Sebastian

This classic air by Bach is a popular selection for both weddings and concerts.

$3.95  

Air from Suite No. 3 (Guitar Quartet)

Bach, Johann Sebastian

The original piece is part of Bach's Orchestral Suite No. 3 in D major, BWV 1068, written for his patron Prince Leopold sometime between the years 1717 and 1723. The air is usually played slowly and freely, and features an intertwining harmony and melody. The title comes from violinist August Wilhelmj's late 19th century arrangement of the piece for violin and piano. By transposing the key of the piece from its original D major to C major, Wilhelmj was able to play the piece on only one string of his violin, the G string.

$4.76   $5.95 Sale

Air from Suite No. 3 (Guitar Trio)

Bach, Johann Sebastian

The original piece is part of Bach's Orchestral Suite No. 3 in D major, BWV 1068, written for his patron Prince Leopold sometime between the years 1717 and 1723. The air is usually played slowly and freely, and features an intertwining harmony and melody. The title comes from violinist August Wilhelmj's late 19th century arrangement of the piece for violin and piano. By transposing the key of the piece from its original D major to C major, Wilhelmj was able to play the piece on only one string of his violin, the G string.

$5.95  

Air on the G String (Cello and Guitar) - A

Bach, Johann Sebastian

The original piece is part of Bach's Orchestral Suite No. 3 in D major, BWV 1068, written for his patron Prince Leopold sometime between the years 1717 and 1723. The air is usually played slowly and freely, and features an intertwining harmony and melody. The title comes from violinist August Wilhelmj's late 19th century arrangement of the piece for violin and piano. By transposing the key of the piece from its original D major to C major, Wilhelmj was able to play the piece on only one string of his violin, the G string.

$3.95  

Air on the G String (Clarinet and Guitar)

Bach, Johann Sebastian

The original piece is part of Bach's Orchestral Suite No. 3 in D major, BWV 1068, written for his patron Prince Leopold sometime between the years 1717 and 1723. The air is usually played slowly and freely, and features an intertwining harmony and melody. The title comes from violinist August Wilhelmj's late 19th century arrangement of the piece for violin and piano. By transposing the key of the piece from its original D major to C major, Wilhelmj was able to play the piece on only one string of his violin, the G string.

$3.95  

Air on the G String (Flute and Guitar)

Bach, Johann Sebastian

The original piece is part of Bach's Orchestral Suite No. 3 in D major, BWV 1068, written for his patron Prince Leopold sometime between the years 1717 and 1723. The air is usually played slowly and freely, and features an intertwining harmony and melody. The title comes from violinist August Wilhelmj's late 19th century arrangement of the piece for violin and piano. By transposing the key of the piece from its original D major to C major, Wilhelmj was able to play the piece on only one string of his violin, the G string.

$3.95  

Air on the G String (Guitar Duo - G Major)
Orchestral Suite No. 3, BWV 1068

Bach, Johann Sebastian

The original piece is part of Bach's Orchestral Suite No. 3 in D major, BWV 1068, written for his patron Prince Leopold sometime between the years 1717 and 1723. The air is usually played slowly and freely, and features an intertwining harmony and melody. The title comes from violinist August Wilhelmj's late 19th century arrangement of the piece for violin and piano. By transposing the key of the piece from its original D major to C major, Wilhelmj was able to play the piece on only one string of his violin, the G string.

$4.95  

Air on the G String (Guitar Duo) - C Major
BWV 1068

Bach, Johann Sebastian

The original piece is part of Bach's Orchestral Suite No. 3 in D major, BWV 1068, written for his patron Prince Leopold sometime between the years 1717 and 1723. The air is usually played slowly and freely, and features an intertwining harmony and melody. The title comes from violinist August Wilhelmj's late 19th century arrangement of the piece for violin and piano. By transposing the key of the piece from its original D major to C major, Wilhelmj was able to play the piece on only one string of his violin, the G string.

$3.95  

Air on the G String (Guitar Duo) - E Major
BWV 1068

Bach, Johann Sebastian

The original piece is part of Bach's Orchestral Suite No. 3 in D major, BWV 1068, written for his patron Prince Leopold sometime between the years 1717 and 1723. The air is usually played slowly and freely, and features an intertwining harmony and melody. The title comes from violinist August Wilhelmj's late 19th century arrangement of the piece for violin and piano. By transposing the key of the piece from its original D major to C major, Wilhelmj was able to play the piece on only one string of his violin, the G string.

$3.95  

Air on the G String (Guitar Solo)

Bach, Johann Sebastian

The original piece is part of Bach's Orchestral Suite No. 3 in D major, BWV 1068, written for his patron Prince Leopold sometime between the years 1717 and 1723. The air is usually played slowly and freely, and features an intertwining harmony and melody. The title comes from violinist August Wilhelmj's late 19th century arrangement of the piece for violin and piano. By transposing the key of the piece from its original D major to C major, Wilhelmj was able to play the piece on only one string of his violin, the G string.

$2.50  

Air on the G String (Recorder and Guitar)

Bach, Johann Sebastian

The original piece is part of Bach's Orchestral Suite No. 3 in D major, BWV 1068, written for his patron Prince Leopold sometime between the years 1717 and 1723. The air is usually played slowly and freely, and features an intertwining harmony and melody. The title comes from violinist August Wilhelmj's late 19th century arrangement of the piece for violin and piano. By transposing the key of the piece from its original D major to C major, Wilhelmj was able to play the piece on only one string of his violin, the G string.

$3.95  

Air on the G String (Viola and Guitar)

Bach, Johann Sebastian

The original piece is part of Bach's Orchestral Suite No. 3 in D major, BWV 1068, written for his patron Prince Leopold sometime between the years 1717 and 1723. The air is usually played slowly and freely, and features an intertwining harmony and melody. The title comes from violinist August Wilhelmj's late 19th century arrangement of the piece for violin and piano. By transposing the key of the piece from its original D major to C major, Wilhelmj was able to play the piece on only one string of his violin, the G string.

$3.95  

Air on the G String - A Major (Violin and Guitar)

Bach, Johann Sebastian

The original piece is part of Bach's Orchestral Suite No. 3 in D major, BWV 1068, written for his patron Prince Leopold sometime between the years 1717 and 1723. The air is usually played slowly and freely, and features an intertwining harmony and melody. The title comes from violinist August Wilhelmj's late 19th century arrangement of the piece for violin and piano. By transposing the key of the piece from its original D major to C major, Wilhelmj was able to play the piece on only one string of his violin, the G string.

$3.95  

Air on the G String - C Major (Violin and Guitar)

Bach, Johann Sebastian

The original piece is part of Bach's Orchestral Suite No. 3 in D major, BWV 1068, written for his patron Prince Leopold sometime between the years 1717 and 1723. The air is usually played slowly and freely, and features an intertwining harmony and melody. The title comes from violinist August Wilhelmj's late 19th century arrangement of the piece for violin and piano. By transposing the key of the piece from its original D major to C major, Wilhelmj was able to play the piece on only one string of his violin, the G string.

$3.95  

Air on the G String, BWV 1068 (Cello and Guitar) - C

Bach, Johann Sebastian

The original piece is part of Bach's Orchestral Suite No. 3 in D major, BWV 1068, written for his patron Prince Leopold sometime between the years 1717 and 1723. The air is usually played slowly and freely, and features an intertwining harmony and melody. The title comes from violinist August Wilhelmj's late 19th century arrangement of the piece for violin and piano. By transposing the key of the piece from its original D major to C major, Wilhelmj was able to play the piece on only one string of his violin, the G string.

$3.95  

Aria from Goldberg Variations (Cello and Guitar)

Bach, Johann Sebastian

A fully ornamented version of the Aria from The Goldberg Variations. BWV 988 are a set of 30 variations for harpsichord by Johann Sebastian Bach. First published in 1741 as the fourth in a series Bach called Clavier-Ubung, "Keyboard Practice", the work is considered to be one of the most important examples of variation form. It is named after Johann Gottlieb Goldberg, who may have been the first performer.

$5.95  

Aria from Goldberg Variations (Clarinet and Guitar)

Bach, Johann Sebastian

A fully ornamented version of the Aria from The Goldberg Variations. BWV 988 are a set of 30 variations for harpsichord by Johann Sebastian Bach. First published in 1741 as the fourth in a series Bach called Clavier-Ubung, "Keyboard Practice", the work is considered to be one of the most important examples of variation form. It is named after Johann Gottlieb Goldberg, who may have been the first performer.

$5.95  

Aria from Goldberg Variations (Guitar Duo)
BWV 988

Bach, Johann Sebastian

A fully ornamented version of the Aria from The Goldberg Variations. BWV 988 are a set of 30 variations for harpsichord by Johann Sebastian Bach. First published in 1741 as the fourth in a series Bach called Clavier-Ubung, "Keyboard Practice", the work is considered to be one of the most important examples of variation form. It is named after Johann Gottlieb Goldberg, who may have been the first performer.

$5.95  

Aria from Goldberg Variations (Recorder and Guitar)

Bach, Johann Sebastian

A fully ornamented version of the Aria from The Goldberg Variations. BWV 988 are a set of 30 variations for harpsichord by Johann Sebastian Bach. First published in 1741 as the fourth in a series Bach called Clavier-Ubung, "Keyboard Practice", the work is considered to be one of the most important examples of variation form. It is named after Johann Gottlieb Goldberg, who may have been the first performer.

$5.95  

Aria from Goldberg Variations (Viola and Guitar)

Bach, Johann Sebastian

A fully ornamented version of the Aria from The Goldberg Variations. BWV 988 are a set of 30 variations for harpsichord by Johann Sebastian Bach. First published in 1741 as the fourth in a series Bach called Clavier-Ubung, "Keyboard Practice", the work is considered to be one of the most important examples of variation form. It is named after Johann Gottlieb Goldberg, who may have been the first performer.

$5.95  

Aria from The Goldberg Variations (Flute and Guitar)

Bach, Johann Sebastian

The Goldberg Variations, BWV 988, are a set of 30 variations for harpsichord by Johann Sebastian Bach. First published in 1741 as the fourth in a series Bach called Clavier-Ubung, "Keyboard Practice", the work is considered to be one of the most important examples of variation form. It is named after Johann Gottlieb Goldberg, who may have been the first performer. The original key is G major.

$5.95  

Aria from The Goldberg Variations (Violin and Guitar)

Bach, Johann Sebastian

The Goldberg Variations, BWV 988, are a set of 30 variations for harpsichord by Johann Sebastian Bach. First published in 1741 as the fourth in a series Bach called Clavier-Ubung,

$5.95  

Arioso from Cantata 156, G Major (Violin and Guitar)

Bach, Johann Sebastian

Johann Sebastian Bach (1685 – 1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque  period and brought it to its ultimate maturity.

$3.95