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Debussy, Claude
Claude Debussy (1862 – 1918)
Debussy’s compositions form part of an art movement known as French Impressionism that evolved in France at the end of the 19th Century. He was its leading musical exponent and a seminal influence on modern music. The aim of Impressionism was to reflect mood, which Debussy did with the use of unusual chords and modes which nevertheless progress unerringly through evocative landscapes to peaks of tension. His always careful attention to the whole gives the varying, impalpable sentiments a sense of direction and completion, as this arrangement for guitar of the famous piano piece ‘Clair de Lune’ demonstrates.
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Debussy’s compositions form part of an art movement known as French Impressionism that evolved in France at the end of the 19th Century. He was its leading musical exponent and a seminal influence on modern music. The aim of Impressionism was to reflect mood, which Debussy did with the use of unusual chords and modes which nevertheless progress unerringly through evocative landscapes to peaks of tension. Careful attention to form gives impalpable sentiments a sense of direction and completion. The lovely Coda from Debussy's only opera, ‘Pelleas and Melisande’, demonstrates this, as well as exhibiting his masterful expression of the dramatic, exquisite without being flowery, forceful but not overblown.
$2.00 $2.50 Sale
Debussy’s compositions form part of an art movement known as French Impressionism that evolved in France at the end of the 19th Century. He was its leading musical exponent and a seminal influence on modern music. The aim of Impressionism was to reflect mood, which Debussy did with the use of unusual chords and modes which nevertheless progress unerringly through evocative landscapes to peaks of tension. His always careful attention to the whole gives the varying, impalpable sentiments a sense of direction and completion. The lovely ‘En Bateau’ is taken from the ‘Petite Suite’, a suite for piano four hands in four movements.
Debussy’s compositions form part of an art movement known as French Impressionism that evolved in France at the end of the 19th Century. He was its leading musical exponent and a seminal influence on modern music. The aim of Impressionism was to reflect mood, which Debussy did with the use of unusual chords and modes which nevertheless progress unerringly through evocative landscapes to peaks of tension. Careful attention to form gives impalpable sentiments a sense of direction and completion.
The excerpt 'Golaud's Letter' from early in Debussy's only opera, ‘Pelleas and Melisande’, demonstrates this, as well as exhibiting his masterful expression of the dramatic, exquisite without being flowery, forceful but not overblown.
Debussy’s compositions form part of an art movement known as French Impressionism that evolved in France at the end of the 19th Century. He was its leading musical exponent and a seminal influence on modern music. The aim of Impressionism was to reflect mood, which Debussy did with the use of unusual chords and modes which nevertheless progress unerringly through evocative landscapes to peaks of tension. His always careful attention to the whole gives the varying, impalpable sentiments a sense of direction and completion. ‘La Fille aux Cheveux de Lin’, from the piano piece, is a charming example.
Claude Debussy (1862 – 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries.
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Claude Debussy (1862 – 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. This edtition is carefully edited and some errors in the original edition has been corrected in the music.
Claude Debussy (1862 – 1918) was a French composer. He is sometimes seen as the first Impressionist composer. He was among the most influential composers of the late 19th and early 20th centuries. Originally a piano solo piece. This arrangement is also playable (with a few minor adjustments) as duet for flute and guitar.
